The growth of Korean foreign influencers has a bad side

If you’ve been reading through YouTube, TikTok, or Instagram, it shouldn’t come as a surprise to come across the peaceful minimalist aesthetics of Korean cafe decor, pilgrimages to the filming locations of popular K-dramas, and the gracious etiquette of Korean public transportation riders.

In South Korea, oegugin (foreign-national) influencers frequently produce social media material for Korean audiences that focuses on the global interest in K-pop, K-drama, and K-film.

These influencers are most visible on YouTube, where the most popular trends include binge-eating mukbang, lifestyle vlogging of expensive cafe cultures, and K-pop fandom homages such as idol group visits to pop-up businesses.

On platforms such as TikTok and Instagram, users submit content using hashtags such as # (#oegugin) and # (#oegugin-baneung, or foreigner reaction).

Many oegugin influencers have achieved celebrity status. The pair Korean Englishman has more than five million subscribers and appears frequently on Korean discussion shows and variety shows.

According to our recent research, oegugin influencers are largely non-Koreans who present as white and frequently adopt nationalist tones to promote the “excellence” of Korean culture.

Keep Reading

The language is frequently celebratory, exploits exoticism, and supports “pop nationalism”: a new form of soft power pushed through popular culture.

The ecology of oegugin influencers is on the rise. Korea is an enticing place for aspiring influencers because K-cultures have gained global popularity.

The majority of these expatriates and migrants, according to our research, are English teachers, students, or gig economy workers who hold numerous day jobs to support their influencer ambitions.

Numerous South Korean government agencies have initiated initiatives to incubate and cultivate potential oegugin influencers in order to promote tourism and increase cultural awareness of the country.

The K-influencer Academy, sponsored by the Ministry of Culture, Sports, and Tourism, is a prominent example.

The academy is a YouTube training program for “Korea lovers” designed to cultivate “K-influencers” from all over the world. It offers free lectures on content creation and mentorship chances with prominent YouTubers.

Once these influencers are identified, the Korean government will be able to outsource their nation branding effort. Utilizing the influencers’ free labor, the government reposts and broadcasts their YouTube videos on official channels.

Katherine S

1/4 German, 3/4 Malaysian. I write, follow and monitor closely political news happening in Malaysia, and other happening news in the ASEAN region. Newswriter for the best ASEAN news website - The Asian Affairs.

Recent Posts

IMF: These are the World’s Biggest Economies in 2029

With the end of the decade fast approaching, the International Monetary Fund (IMF) has published a report outlining the world's…

May 14, 2024

Indonesia Floods and Volcano Many dead, Search Continues

Big floods and mud from a mountain caused by heavy rain killed almost 41 people on Sumatra island, Indonesia. More…

May 14, 2024

Clanging Through Charm A Sensory Journey on Vietnam’s Trains

Vietnam, a land blessed with mesmerizing natural beauty and  imbued in rich history, offers a transcendent travel experience aboard its…

May 14, 2024

End Of An Era: Raphael Varane Soon To Exit Manchester United

Manchester United's strong defender and famous French footballer Raphael Varane at the end of the season will exit Manchester United,…

May 14, 2024

UAE President and Indonesian Defense Minister Strengthen Defense Relations and Celebrate Order of Zayed Award

The United Arab Emirates (UAE) and Indonesia have advanced considerably in the process of forging their bilateral defense cooperation throughout…

May 14, 2024

Did You Know OpenAl Can Now Detect Fake Al Images

With the latest breakthroughs in artificial intelligence, it is now possible to create visuals that are almost lifelike. These days,…

May 14, 2024

This website uses cookies.

Read More